Tainan 台南事

【Inside out系列講座 II 】藝術節,地方與能動性(Festival, locality, agency)

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【INSIDE OUT 系列講義第二場】

藝術節,地方與能動性(Festival, locality, agency)

時間:10月1日 15:00~17:00

講者:鄭文琦 Rikey Tēnn



「數位荒原」是由數位藝術基金會從2011年11月開始贊助的網路書寫計畫,並且陸續開展「見面會」(2013, 1~)、「荒原小報」(2014, 8~)等不同溝通界面。2014年發起《Project Glocal亞洲城市串流》連結東南亞場景,並在2015年檳城策劃了「馬來西亞DA+C藝術節」的國際交流單元《歷史上的今天》。在這場講座裡,數位荒原的總編輯將從他近年來參與東南亞藝術單位交流的頓挫經驗為起點,透過「節慶性」與「地方性」的視野展開以「東南亞」為範疇的另類敘說方案。本次講座也歡迎其他非相關學院背景出身的藝術工作者前來交流關於(東南亞)藝術交流的前景與疑惑。


鄭文琦現居臺北,他是數位藝術基金會贊助的「數位荒原計劃」創辦人也是數位荒原網站主編,文章散見於台灣的《典藏今藝術》和中國的《LEAP藝術界》等雜誌。他也是菲律賓策展人達鴦.雅洛拉所發起的2014年「Project Glocal 亞洲城市串流」計劃台灣主辦人,以及今年的馬來西亞DA+C藝術節《歷史上的今天》單元共同策展人。現在他感興趣的是人們如何在沒有專業背景的情況下,創造並主張那些讓他們實現自我組裝為「藝術家」(或其他藝術世界裡的專業角色)的情境。

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Based in Taipei, Rikey Tēnn (b. Hsinchu) is the founder and editor-in-chief of No Man’s Land Project at Digital Art Foundation (DAF), Taipei. He writes articles for ARTCO Magazine in Taiwan and LEAP Magazine in China. He also hosted Project Glocal 2014: Transi(en)t Taipei which initiated by Philippine curator Dayang Yraola, and co-curated (with curator Suzy Sulaiman) “Hari Ini Dalam Sejarah” in Malaysia’s DA+C Festival this year. Currently, he is interested in how certain scenes are being invented and claimed by those who are without professional background, yet are able to self assemble and recognize themselves as artists (or any other professionals) in today’s art world.


藝術節、地方與能動性 — 重思藝術社群在東南亞的呈現
Festival, Locality, Agency – Rethink the REPRESENTATION of art community in Southeast Asia

2016.10.01 台南絕對空間


緣起:2014年開始文化部有「翡翠計劃」,鼓勵藝術單位邀請藝術工作者等來台灣作交流,因為台灣有許多的新移民以及移工,可以藉由這個來擴大交流的基礎。而鄭文琦過往就對東南亞有些經驗,所以在想自己可以在這方面做什麼事,但同時又思考為什麼非得要去東南亞,為什麼要用這種區域性的東西去拓展。於是後來與菲律賓策展人達鴦(Dayang Yraola)認識且合作了《Project Glocal亞洲城市串流》,這是有經濟學背景的,達鴦想像的基礎是全球化以經濟的觀點,例如麥當勞在全球不同的地方就會有不同的作為,例如在曼谷的麥當勞可能就會做飯之類的。

第一個有關於藝術節(Festival),藝術節這個字眼會在東南亞交流時常被提起,在不同的人的觀點中對這個字的定義也有些許不同。新加坡策展人David TEH:「許多處於當代藝術初次浮現於此區域(東南亞)的或大或小脈絡中,也或許在這之中的大部份,可能皆具有節慶特質。因此,它們被視為慶典與消費的脈絡更甚於作品與累積的脈絡。更甚之,可將節慶性視為東南亞當代藝術的源頭。」

第二位是印尼的Alia Swastika:「認同的議題是如此豐盛,值得讚揚,使嘉年華被選為慶賀的形式,在印尼,嘉年華的點子建立了最歡樂的氣氛,而它的靈感來自對多元融合讚賞的渴望。」







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