{"id":4292,"date":"2021-09-25T12:28:59","date_gmt":"2021-09-25T04:28:59","guid":{"rendered":"https:\/\/aofa.tw\/?p=4292"},"modified":"2021-09-27T14:26:22","modified_gmt":"2021-09-27T06:26:22","slug":"elastic-parallels-conversation-ii-elaine-cheng-and-sheryl-cheung","status":"publish","type":"post","link":"https:\/\/aofa.tw\/?p=4292","title":{"rendered":"Elastic Parallels Conversation II: Elaine Cheng &#038; Sheryl Cheung"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?ssl=1\"><img class=\"alignnone size-full wp-image-4233\" src=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?resize=640%2C427&#038;ssl=1\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-and-Elaine-scaled.jpeg?w=1920&amp;ssl=1 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p>In response to the recent impossibility of travel, in 2021, Ting Shuo Hear Say in Taiwan initiated a project with Women In Sound Women On Sound (WISWOS) in the UK to partner female sound artists for remote collaborations. Their resulting tracks have been published on the recently released album, Elastic Parallels. In a series of three conversations, we learn about the motivations and reflections of the artists in each of the pairings.&nbsp;<\/p>\n<p>Elaine Cheng &amp; Sheryl Cheung share a background in choral performance and work with distinctly expressive electronic textures and layered drone structures.&nbsp;<\/p>\n<p>&nbsp;<\/p>\n\n\n<iframe width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=2705567143\/album=4054945639\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p>\u00a0<\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Interview edited by Chloe Knibbs. Translated by Chloe Yu Nong Lin. <br \/><\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/aofa.tw\/?p=4229\">\u4e2d\u6587\u7248<\/a><\/span><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><b>Q: Tell us about your artistic practice to date and what initially attracted you to the project.\u00a0<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Sheryl: I am a sound artist working with ideas of ontology, materiality and agency. I often work with found sounds of power from within the body and beyond the body to reveal vulnerable states of openness.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Elaine: I am a composer of drone music, using analog and modular synthesisers to create my sounds. I was trained as an electroacoustic composer prior to moving my practice to drone music.\u00a0<\/span><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><b>Q: What was it like to make work with an international partner and to carry out the collaboration online in the context of COVID-19?<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Sheryl: We started with many ideas and potential common threads, from everyday sentiments to academic interests and things organically developed into one direction. I loved how we managed to be quite transparent with each other during the working process despite being physically far apart.<\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Elaine: It was something new not being able to physically be in the same room as the collaborator but we made it work, even with the time difference. We were paired according to our compositional styles and it seems that this worked effectively. We had folders to drop sounds and edits of what we made and met virtually a few times a month to go through ideas.\u00a0<\/span><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><b>Q: During your collaboration you carried out a number of live mixing sessions. What was it like to collaborate with one another in real time and how did this affect the overall collaboration?<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Sheryl: Live mixing was definitely helpful for us to listen to the work together in real time. It also allowed us to pause at particular segments to listen again. Originally we had dabbled with several different DAWs and setups to allow more equal access to the working file. After much exploration, we ended up with one person being in charge of the file while the other person gave verbal suggestions during these live mix sessions.<\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?ssl=1\"><img class=\"alignnone size-full wp-image-4231\" src=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?resize=640%2C427&#038;ssl=1\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Sheryl-Cheung-Photo-Courtesy-of-Taipei-Fine-Art-Museum_web-scaled.jpeg?w=1920&amp;ssl=1 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Elaine: The live mixing sessions were very useful to work on the track in progress. It gave us time to listen, work, and re-listen to the edits we made and I made suggestions that Sheryl then put into place. There was some waiting around for audio inputs to be adjusted before we could chat properly but overall, it was a valuable way to work on the collaboration.\u00a0<\/span><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><b>Q: In what ways has the project influenced how you view the process of collaboration?\u00a0\u00a0<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Elaine: Before, I always collaborated with people \u2018in the flesh\u2019. But now, especially as we have the technology to allow it, it\u2019s made me realise that regardless of where your collaborator is based it\u2019s definitely possible to work with someone halfway across the world. Even if the time difference doesn\u2019t work out for a collaboration, it\u2019s still possible to work with people as you can communicate via email and drop ideas and sounds into a shared online folder.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Sheryl: Collaboration comes with a lot of openness, trust, and with the distance in between, there was also a lot of letting go on both sides. We were very fortunate to build these qualities into our process and the organizing bodies also helped facilitate this working relationship. The residency had a very simple structure, which also allowed space for us to find our own structure of working as a pair.<\/span><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><b>Q: As a project designed to be a creative space for women, how do you feel that impacted your experience of creating work? Were there any significant differences compared to other projects you have been involved with?<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Elaine: I\u2019ve never collaborated exclusively with one other person on a project like this before. I\u2019ve found it to be a very positive experience on the whole and it\u2019s been so interesting to see and hear how someone else works, especially when they\u2019re in the discipline of experimental music. I feel immensely proud of the track we\u2019ve produced and feel confident to add it to my portfolio for future applications to projects like this or for residencies.\u00a0Compared to other collaborative projects I\u2019ve done with larger groups of people, there wasn\u2019t the timid feeling of putting an idea out there as any idea was a good idea. It felt an open space to work in which made it an easy task to collaborate together.\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Elaine-photo-scaled.jpeg?ssl=1\"><img class=\"alignnone size-full wp-image-4232\" src=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Elaine-photo-scaled.jpeg?resize=640%2C853&#038;ssl=1\" alt=\"\" width=\"640\" height=\"853\" srcset=\"https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Elaine-photo-scaled.jpeg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Elaine-photo-scaled.jpeg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Elaine-photo-scaled.jpeg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Elaine-photo-scaled.jpeg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Elaine-photo-scaled.jpeg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/aofa.tw\/wp-content\/uploads\/2021\/09\/Elaine-photo-scaled.jpeg?w=1280&amp;ssl=1 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Sheryl: In the past I\u2019ve mostly collaborated in a way with more defined boundaries, and would say that this time around, it was an experiment of intersubjectivity. To allow each other full freedom on the most part and at times, also allowing the other person control of your hands. We started off with a few common threads of interests then slowly developed a way that allowed us to learn about each other\u2019s unique ways of working through open methods of sharing. Definitely an eye-opening experience and a fruitful exchange.<\/span><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><b>Q: Following the collaboration, are there any new ideas, concepts or ways of working that you would like to explore in the future?\u00a0<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Elaine: Having been an electroacoustic composer before, I would like to revisit composing in that style\/genre. Doing the field recordings made me realise how much I enjoyed reduced listening to mundane sounds and manipulating them in the production process. I would like to continue working with people across the world on new projects as it\u2019s been clear it can be done.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">Sheryl: The process has inspired many new ideas, from new ways of structuring a compositional process to potential experiences of listening and performing online. Would definitely be interested in future collaborations for compositional and performative exchanges.<\/span><\/p>\n<p>\u00a0<\/p>\n<pre><span style=\"font-weight: 400; color: #000000;\">MORE<\/span><br \/><br \/><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">Elaine Cheng <\/span><span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/soundcloud.com\/elainecheng\"><span style=\"font-weight: 400;\">https:\/\/soundcloud.com\/elainecheng<\/span><\/a><\/span><\/span><br \/><br \/><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">Sheryl Cheung <\/span><span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/soundcosmology.cargo.site\/\"><span style=\"font-weight: 400;\">https:\/\/soundcosmology.cargo.site<\/span><\/a><br \/><\/span><\/span><br \/><br \/><span style=\"font-weight: 400; color: #000000;\">Project curated by <\/span><span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"https:\/\/wiswos.com\" target=\"_blank\" rel=\"noopener\">Women in Sound Women on Sound (WISWOS)<\/a><\/span> <br \/>&amp; <span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"https:\/\/tingshuostudio.org\" target=\"_blank\" rel=\"noopener\">Ting Shuo Hear Say<\/a><\/span><span style=\"color: #000000;\">. <br \/><\/span><span style=\"font-weight: 400; color: #000000;\"><br \/>Sponsored by Connections Through Culture grant of the <\/span><span style=\"font-weight: 400; color: #000000;\">British <br \/>Council and National Culture and Arts Foundation in Taiwan. <\/span><br \/><br \/><\/pre>\n<hr \/>\n<p><span style=\"font-weight: 400;\">About the Author<br \/><\/span><span style=\"font-weight: 400;\">Chloe Knibbs is a composer and sound artist exploring storytelling, theatricality and sidelined voices with a particular emphasis on feminist perspectives. Included in the British Music Collection, her work has been featured on BBC Radio 3 and performed by the Riot Ensemble, Birmingham Opera Company and the Hebrides Ensemble. She is currently undertaking a PhD in Composition at the University of York, UK. https:\/\/britishmusiccollection.org.uk\/composer\/chloe-knibbs<\/span><\/p>\n\r\n\t\t<style>\r\n\t\t\t.huge-it-share-buttons {\r\n\t\t\t\tborder:0px solid #0FB5D6;\r\n\t\t\t\tborder-radius:5px;\r\n\t\t\t\tbackground:#3BD8FF;\r\n\t\t\t\t\t\t text-align:right; \t\t\t\t\t\t}\r\n\r\n\t\t\t#huge-it-share-buttons-top {margin-bottom:0px;}\r\n\t\t\t#huge-it-share-buttons-bottom {margin-top:0px;}\r\n\r\n\t\t\t.huge-it-share-buttons h3 {\r\n\t\t\t\tfont-size:25px ;\r\n\t\t\t\tfont-family:Arial,Helvetica Neue,Helvetica,sans-serif;\r\n\t\t\t\tcolor:#666666;\r\n\r\n\t\t\tdisplay:block;\t\t\t\tline-height:25px ;\r\n\r\n\t\t\t\t\t\t text-align:right; \t\t\t\t\t\t}\r\n\r\n\t\t\t.huge-it-share-buttons ul {\r\n\t\t\t\t\t\t float:right; \t\t\t\t\t\t}\r\n\r\n\t\t\t.huge-it-share-buttons ul li {\r\n\t\t\t\tmargin-left:3px;\r\n\t\t\t\tmargin-right:3px;\r\n\t\t\t\tpadding:0px;\r\n\t\t\t\tborder:0px ridge #E6354C;\r\n\t\t\t\tborder-radius:11px;\r\n\t\t\t\tbackground-color:#14CC9B;\r\n\t\t\t}\r\n\r\n\t\t\t.huge-it-share-buttons ul li #backforunical4292 {\r\n\t\t\t\tborder-bottom: 0;\r\n\t\t\t\tbackground-image:url('https:\/\/aofa.tw\/wp-content\/plugins\/wp-share-buttons\/Front_end\/..\/images\/buttons.20.png');\r\n\t\t\t\twidth:20px;\r\n\t\t\t\theight:20px;\r\n\t\t\t}\r\n\r\n\t\t\t.front-shares-count {\r\n\t\t\t\tposition: absolute;\r\n\t\t\t\ttext-align: center;\r\n\t\t\t\tdisplay: block;\r\n\t\t\t}\r\n\r\n\t\t\t.shares_size20 .front-shares-count {\r\n\t\t\t\tfont-size: 10px;\r\n\t\t\t\ttop: 10px;\r\n\t\t\t\twidth: 20px;\r\n\t\t\t}\r\n\r\n\t\t\t.shares_size30 .front-shares-count {\r\n\t\t\t\tfont-size: 11px;\r\n\t\t\t\ttop: 15px;\r\n\t\t\t\twidth: 30px;\r\n\t\t\t}\r\n\r\n\t\t\t.shares_size40 .front-shares-count {\r\n\t\t\t\tfont-size: 12px;\r\n\t\t\t\ttop: 21px;\r\n\t\t\t\twidth: 40px;\r\n\t\t\t}\r\n\t\t<\/style>\r\n\t\t\r\n\t\t<div id=\"huge-it-share-buttons-top\" class=\"huge-it-share-buttons nobackground\">\r\n\t\t\t<h3>Share This:<\/h3>\r\n\t\t\t<ul class=\"huge-it-share-buttons-list \">\r\n\t\t\t\t\t\t\t\t\t<li class=\"nobackground \" >\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t<a id=\"backforunical4292\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=aofa.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F4292\"  onclick=\"javascript:void window.open('https:\/\/www.facebook.com\/sharer\/sharer.php?u=aofa.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F4292','1410949501326','width=700,height=500,toolbar=0,menubar=0,location=0,status=1,scrollbars=1,resizable=1,left=0,top=0');return false;\" style=\"background-position: -0px -80px \"><\/a>\r\n\t\t\t\t\t<\/li>\r\n\t\t\t\t\t\t\t\t\t\t<li class=\"nobackground \" >\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t<a id=\"backforunical4292\" href=\"https:\/\/twitter.com\/share?status=aofa.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F4292&text=Elastic Parallels Conversation II: Elaine Cheng &#038; 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Translated by Chloe Yu Nong Lin.\u00a0<br \/>\nWe started with many ideas and potential common threads, from everyday sentiments to academic interests and things organically developed into one direction. I loved how we managed to be quite transparent with each other during the working process despite being physically far apart.<\/p>\n","protected":false},"author":30,"featured_media":4232,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[3,5,6],"tags":[262,261,260,140],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.13 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Elastic Parallels Conversation II: Elaine Cheng &amp; Sheryl Cheung - AOFA.TW<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aofa.tw\/?p=4292\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elastic Parallels Conversation II: Elaine Cheng &amp; Sheryl Cheung - AOFA.TW\" \/>\n<meta property=\"og:description\" content=\"By Chloe Knibbs. Translated by Chloe Yu Nong Lin.\u00a0 We started with many ideas and potential common threads, from everyday sentiments to academic interests and things organically developed into one direction. 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